
Netflix Redefines Success With Soaring Profits, Not Subscribers | Image Source: www.cnbc.com
LOS GATOS, California, April 17, 2025 – Netflix silently turned the obsession of the streaming industry with the growth of subscribers in its head, offering a master class on how to build profitability in a digital world defined by churn, choice and chaotic competition. In a first-quarter income report that exceeded Wall Street’s expectations, Netflix recorded income of $10.54 billion and net income of $2.89 billion, up to nearly 24% year after year.
But what really did the headlines wasn’t just front-line growth. That’s what Netflix didn’t say: subscriber numbers. For the first time, the company chooses to deviate from the discretion of its quarterly membership account, indicating a bold shift to prioritize revenues, margins and long-term sustainability over gross user totals. In essence, Netflix no longer wants to win the number game: he wants to master the game of money.
Why did Netflix stop reporting subscriber data?
Netflix’s decision to stop sharing subscriber data may seem like a red flag, but the company has designed it as a strategic evolution. According to management, the number of subscribers is no longer the most accurate measure of success. Instead, Netflix wants investors and analysts to focus on what really drives shareholder value: income growth, free cash flow and profit margins.
As Netflix said in his letter to the shareholder: “There has been no significant change in our overall business outlook… we believe that commitment and financial performance are more relevant indicators of our trajectory”
This is an important change, especially for a company that has lived and died from the monthly growth of the user. But in today’s saturated market, where most streaming services bleed in cash and pursue the same eye balloons, it is a movement that could separate Netflix from the package.
How did Netflix do in the first quarter of 2025?
In most measures, Netflix delivered a first quarter. The figures are broken down as follows:
- Revenue: $10.54 billion (up 13% YoY)
- Net income: $2.89 billion
- EPS: $6.61 vs. $5.71 expected
- Operating margin: 31.7% (forecasting near-30% for FY2025)
In an area where operating margins usually fight to break double digits, Netflix flies high. Disney’s entertainment division, for example, reported margins slightly over 11%, while Warner Bros. Discovery and Paramount are ground water. Even Spotify, another streaming brand, continues to decline by 10% despite years of investment.
What does Netflix do differently? In a word, control.
What stimulates Netflix’s profitability?
The Netflix model is not only built on a scale, it is based on the property. The company controls its entire technological pile, has its content distribution infrastructure and produces more and more original programming locally, in the mother tongue of its destination markets. This not only reduces production costs, but also encourages participation in different regions.
Co-Director General Greg Peters succinctly said in the call for the benefit: “The maintenance has been historically resistant in more difficult economic times. We have not seen a significant impact of macroeconomic uncertainty, and our overall approach contributes to addressing these risks.”
In other words, Netflix bets that by thinking globally and acting locally, it can avoid the boom search cycles that traditional media empires are pursuing. And so far, it works.
Does the advertising model work?
Maybe better than expected. In early April, Netflix launched its own internal advertising technology platform in the United States, a clear signal that the company fully supports the transmission of advertisements. Although the advertising level represents less than 5% of current income, membership has increased by 65% year after year.
What is the launch for advertisers? Better segmentation, more innovative formats and program advertising capabilities, all under Netflix control. The platform is not just a new revenue stream. It is a future-proof way for the company to grow by attracting consumers aware of costs and brand dollars at the same time.
What if you were a spectator? Sitting through 90 seconds of ads to save $10 a month can be a job you’re ready to do. Netflix bets on this psychology, and also Wall Street, with shares up by more than 3% after the announcement.
What was the content of the Q1 audience?
This quarter has shown one thing: Netflix’s global domination is not only a point of conversation, it is a living reality. The most guarded show was not American. It was the adolescence of the United States, which obtained 124 million views and is now the third most popular series in English in Netflix’s history.
This quarter includes films and high performance series:
- Back in Action (Jamie Foxx & Cameron Diaz): 146 million views
- Ad Vitam (French film): 63 million views
- Counterattack (Mexico): 59 million views
- The Life List (Sofia Carson): 67 million views
- The Night Agent Season 2: 50 million views
- Zero Day (Robert De Niro): 55 million views
Even the lady. Rachel, a young children’s centre, observed 29 million views, showing that Netflix does not only win over teenagers and kinophiles, but is also correlated with parents’ demographics.
And if that wasn’t enough, WWE Night RAW on Monday has consistently ranked in Netflix’s Top 10 Global, further diversifying its content footprint.
What’s next for Netflix in Q2?
The company places big bets on the Q2 with high-profile versions. On the film side, spectators can wait:
- Nonnas starring Vince Vaughn
- Straw from Tyler Perry & Taraji P. Henson
- Havoc with Tom Hardy
Television is just as ambitious, with:
- Forever, based on Judy Blume’s YA novel
- The Four Seasons reboot with Tina Fey and Steve Carell
- Ransom Canyon, a modern Western led by Minka Kelly
- Squid Game Season 2 and Squid Game: Unleashed premiering June 27
With a stacked alignment, Netflix specifies it: it is not removed from the content. He perfects the way he measures success.
What is the long-term perspective?
Netflix forecasts total annual income between $43.5 billion and $44.5 billion, with margins of about 30%. If these numbers are maintained, Netflix will not only exceed its streaming pairs, it will start to look like technical Titans like Apple and Google in its financial structure.
The company also reported $2,660 million in free cash flow this quarter, further strengthening its financial health. While other media giants are costing and fighting to remain profitable, Netflix climbs around the world, strategically invests and piles money. It’s a difficult combination to beat.
More subtly, Netflix emphasizes that it is entering a new era, where performance is measured by efficiency, not expansion. As Peters said, ”we take comfort in the resilience of our company, and we focus on support and improvement through disciplined innovation.”
Translation: This is no longer about being the first. It’s to be better.
In an unstable market where prices are rising, technological changes and consumer fatigue, Netflix is not only stable, it is moving forward. And in doing so, he rewrites the rules of success in broadcasting.